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Okay, it may not be exactly a thousand bucks, but impactful photography can make a huge difference in achieving your goals — whether they’re fundraising, “friend-raising,” board development, staff engagement, or, as is often the case, all of the above.
Great photos tell stories, and make deep and lasting connections with those who see them.
Huge strides in digital technology have put the capability to take pictures into the hands of most every cell-phone user, and inexpensive point-and-shoot cameras are ubiquitous.
Too often that leads cost-conscious executives, especially those in nonprofits, to forego hiring a professional photographer for their special event, newsletter or even annual report, relying instead on a staff person or volunteer to snap some pictures.
There is a reason professional photographers get paid for their work. The good ones have developed not only the technical skills, but also the “eye” to make emotional connections and tell stories through their lenses. They are also diligent in the mundane aspects such as getting photo IDs and making sure Mrs. Benefactor isn’t photographed with a tree growing out of her head, or worse.
Some pros also have relationships with local and society publications that are important to your organization. Those who do can often “file” the photos for you, reducing your workload and often getting your photos in front of the people who decide what is printed.
We would urge you to consider using a professional photographer for your next project. If you don’t know whom to call, look for photo credits in the publications that are important to you. Ask your board members if they use photographers in their businesses — that’s often a way to get a better price. At CP&A, we have a working relationship with Brodigan Photography. I’m sure Tom would be happy to discuss your needs (www.brodiganphotography.com).
Talented volunteers
If you’re really fortunate, you may be able to find someone with a passion for your cause who is also a talented amateur photographer. That can be a great solution, as long as both you and your volunteer understand that your first responsibility is to ensure your communications pieces are effective for your organization. We all know of stories when a well-meaning volunteer forgets that it’s not all about him or her. Be sure your relationship with your volunteer is strong enough so you can say “No” if the work doesn’t meet your needs.
Tips for better amateur photographs
We’re realists. Sometimes an opportunity comes up when you don’t have time to get a professional, or you just can’t justify the expense. Here are a few tips that might be helpful when someone is “volunteered” to take photos:
1. Forget “smile.” Too often picture takers interrupt important activity and ask the subjects to “smile.” That’s okay for yearbook pictures, but generally doesn’t tell a story. Be inconspicuous. Get your subjects to ignore you and focus on their task. Try to develop a “stealth” method of photograph so people will forget you’re there.
2. Get down. If you’re photographing children, or activities where people are seated, get down to their level. That brings the viewer into the scene.
3. Get close. Focus on faces, what people are doing. If you have a camera with a telephoto lens, try it. That will enable you to get close and still remain relatively inconspicuous.
4. Avoid lineups. Unless you are documenting a specific event, like a ribbon cutting, try not to have everyone stop when they are doing and line up for photos. Again, the best pictures tell stories and make emotional connections.
And finally – if the pictures are for a newsletter, annual report or other publication, make them big. Too often people who design newsletters make the pictures fit in little spaces left over from the words. The pictures will bring readers into the story. You paid good money and/or worked hard to make the photos great, so don’t make your readers get a magnifying glass to see them!
Charlotte
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